We Ranked the 3 Best HyperX Headsets

Deep bass is essential for an immersive gaming experience, and adds punch to common sounds, like gunfire and explosions. Low-end roll off is one of the major factors that helps determine how punchy this bass will sound. If the bass begins to roll off (or fade) too early in the audio spectrum, the result is a less impactful sound, which flattens out music and robs much of the sound you hear in game of depth and rumble.

Ideally, a gaming headset should maintain a robust bass response without significant drop-off at least down to 45 Hz, ensuring the bass feels full and present. Some headsets are capable of managing roll-offs that start in the low 20s or even the teens, which commonly indicates that the bass will be especially strong. Looking for roll offs that start in the low teens or single digits is unnecessary, however. Not only do these headsets not really exist, once you’re under 20 Hz, sound stops being audible, though you can still “feel” these frequencies in some cases.

This is a strange test because it relies on subjective input. In this case, we derived this rating from the testing data provided by RTings and Soundguys, who subjectively rate microphone quality, and have their readers subjectively rate it, respectively. From there, we can average out the ratings and create an overall idea of how good a microphone sounds.

Generally speaking, you want this to be higher than 6.0, as it means you’ll have acceptable sound quality when communicating. There’s no upper limit to sound quality – if you can find a headset that has a 10/10 and suits you and your budget, go for it. Low sound quality mics, however, will distort or blow out your voice, and that will make you hard to hear and understand.

Speech to noise ratio is a bit complex. In the simplest terms, it’s how you measure how good of a job a microphone is going to do with transmitting your voice in a noisy environment without also transmitting all of the background noise.

You’ll want a mic that has a speech to noise ratio greater than 24 dB. By looking for microphones that hit at least this ratio, you’re in a much better position to use your microphone in noisier environments without having to worry about tons of background noise filtering in. If the ratio is too low, expect to transmit dogs barking, air conditioners and fans, and people talking in the background every time you start talking – and if it’s bad enough, even when you’re not.